Authors may choose to hire a screenwriter to adapt their book for several reasons:

Expertise: Screenwriters have a specialized skillset that involves adapting stories for the visual medium of film or television. They understand the nuances of pacing, structure, character development, and dialogue that are unique to screenwriting and can help ensure that the story is adapted in a compelling and engaging way for a visual audience.

Time and Resources: Adapting a book into a screenplay is a time-consuming process requiring much research, planning, and writing. Many authors may not have the time or resources to devote to this process, particularly if they are also working on other writing projects or promoting their books. Hiring a screenwriter can free up time and energy for other important tasks.

Objectivity: Authors may be too close to their work to make objective decisions about adapting it for the screen. A screenwriter can bring a fresh perspective to the story, helping to identify which elements of the book will translate well to the screen and which may need to be reimagined or cut.

Collaboration: Working with a screenwriter can be a collaborative process that allows the author to bring their creative vision to life in a new way. By partnering with a screenwriter, authors can bounce ideas off another creative professional and build on each other’s strengths to create a compelling screenplay.

Hiring a screenwriter can be a valuable investment for authors who want to adapt their books into screenplays. By bringing in an expert with specialized knowledge and skills, authors can ensure that their story is adapted in a way that is engaging, visually compelling, and true to the spirit of the original book.

Studio coverage is a synopsis of a screenplay written by a script reader or analyst for a film studio or production company. It usually includes a summary of the story, followed by an assessment of the characters, plot, dialogue, pacing, and other script elements. The report may also include suggestions for revisions or improvements to enhance the script’s chances of being greenlit for production.

Studio coverage is an integral part of the development process for film and television projects. It helps executives and producers decide which scripts to invest in and bring to the screen.

The main difference between a short and feature-length screenplay is their length and scope.

A short screenplay is typically around 15 pages long and focuses on telling a concise, self-contained story. Short films are often used to showcase a filmmaker’s skills and creativity, and they can cover a wide range of genres and styles.

In contrast, a feature-length screenplay is typically around 90 pages long and tells a more complex and nuanced story that develops over a longer period of time. As a result, feature films have more room to explore characters, themes, and subplots, and they often require a larger budget and more resources to produce.

While short and feature-length screenplays require strong storytelling skills and a solid grasp of cinematic language, they differ in scope and the amount of time and detail they can devote to their narratives.

Absolutely! We will collaborate with you to bring your project to life, and you can rest assured that the rights and copyright to your book and script will remain entirely yours.

Once your screenplay or studio coverage is complete, we’ll present your work to Prairie Surf Media and add it to a directory that Hollywood film professionals can use to discover fresh and original content. In today’s streaming era, there are countless opportunities for scripts to be picked up by platforms like Netflix, Hulu, Amazon, and more.

You don’t need to get a copyright for your screenplay. It is automatically protected by copyright from the moment you create it. However, you can also register your script with the Writer’s Guild of America.